Selasa, 19 April 2011

[F314.Ebook] Ebook Free Power Politics: Poems, by Margaret Atwood

Ebook Free Power Politics: Poems, by Margaret Atwood

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Power Politics: Poems, by Margaret Atwood

Power Politics: Poems, by Margaret Atwood



Power Politics: Poems, by Margaret Atwood

Ebook Free Power Politics: Poems, by Margaret Atwood

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Power Politics: Poems, by Margaret Atwood

Margaret Atwood's Power Politics first appeared in 1971, startling its audience with its vital dance of woman and man. Thirty years later it still startles, and is just as iconoclastic as ever. These poems occupy all at once the intimate, the political, and the mythic. Here Atwood makes us realize that we may think our own personal dichotomies are unique, but really they are multiple and universal. Clear, direct, wry, unrelenting —Atwood's poetic powers are honed to perfection in this important early work.

  • Sales Rank: #199497 in Books
  • Brand: Brand: House of Anansi Press
  • Published on: 1996-06-01
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.00" h x .14" w x 5.00" l, .10 pounds
  • Binding: Paperback
  • 62 pages
Features
  • Used Book in Good Condition

About the Author
Margaret Atwood is the award-winning author of more than 25 books. She was the winner of the 2000 Booker Prize, and lives in Toronto.

Most helpful customer reviews

0 of 0 people found the following review helpful.
Beautiful and tough. Like life itself.
By David's Kindle
I was led to Margaret Atwood's poetry by Louise Penny, the mystery author. She mentioned in an interview how it inspires her. And it
is truly wonderful. Very accessible for those who, like me, haven't read poetry for a long time but reminds me why I should. It captures the essence of a moment, of a life, seemingly so effortlessly. Beautiful. And tough. Like life.

4 of 4 people found the following review helpful.
The heart of Margaret..
By Peripeteia
The idea of poetry written about intimacy may make some readers shudder. One might think it is even a cliché, but no matter who the objective logical thinker is, they are forced to admit there's a tiny part of them who has lived and breathed a relationship of power struggle, one that might have had them seizing and submitting to the core of their innermost thoughts. Love that has left them in doubt and strengthened the self in ways that only passion can accomplish.
As Atwood writes, "....and there isn't anything I want to do about the fact that you are unhappy and sick, you aren't sick and unhappy, only alive and stuck with it." She opens up to her readers those personal witticisms we have thought towards are own "unhappy relationships" while throwing in insightful humor and wild imagery, breaking the rules of all poets with her fascinating rhythms and adjectives. If you are missing this collection of poetry from your Atwood repertoire, you are missing the heart of Margaret, her furious meticulousness and unlikely metaphors aimed into the bloodied heart of an adoration and boredom for her unlikely male worshipper. This book is an absolute must read, must own and an altogether pleasure to read.
"I raise the magic fork over the plate of beef fried rice, and plunge it into your heart." - from "They Eat Out" (Power Politics)

2 of 2 people found the following review helpful.
still relevant, still potent
By datura2002
"you fit into me
like a hook into an eye

a fish hook
an open eye"

Twenty-five years after its first publication, Margaret Atwood's verses still retain their power -- her imagery still startles and disturbs; her insights are still relevant. As Sharon Thesen has written, Power Politics is "astonishing, notorious, a classic."

Atwood is better-known as the Booker-Prize-winning author of The Handmaid's Tale, Cat's Eye, and Blind Assassin. Though I admire her prose, if I had to choose, I would pick the poetry. It has always seemed more immediate, more personal than her novels and short stories, while still thoughtfully composed and within Atwood's glacial tonal range. As with her prose, Atwood delights the reader with her dry wit and elegant irony, even while maintaining her cool veneer of detachment.

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